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| 9101 - CLAY & GLAZES - C.P.A. |
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With over 300 pages of tried and tested recipes, 'Clays and Glazes' is a favourite among potters. Chapters range from raku, earthenware, and mid-temperature to stoneware and porcelain, salt and vapour glazing. A new section covers special effects and each includes details for clay bodies, slips and glazes. For the first time a new cross-reference system allows readers to find further details of potters' work in relevant issues of Ceramic Review magazine.
'Clays and Glazes' is an excellent source of reference and inspiration for potters, from beginners to professionals.
Author: Edited by Emmanuel Cooper
Type: Paperback
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| 9104 - GLAZES & GLAZING TECHNIQUE |
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The author takes a straightforward, empirical approach to the subject of glazes. He shows the reader how to develop glaze recipes by the "trial and error" method. He also helps the reader to understand the function of the materials in the glaze, how they affect the colouring oxides, and how variations in application and firing can alter the final outcome. The process sequences and finished works are illustrated in the text. The aim of the book is to provide a simple guide to the subject which will educate as well as inspire.
Author: Greg Daly
Type: Hardback
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| 9105 - CLAY & GLAZES FOR THE POTTER |
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This revised and expanded edition of Daniel Rhodes' seminal book on fundamentals of ceramic technology adheres closely to edition published in 1957 and revised in 1973.
Updated and simplified where necessary, with additional sections devoted to health hazards, computer calculation programs, increased color information, and expanded photographic images of both historical and contemporary work.
- Over 250 color photos plus illustrations and charts offer detailed information for today's potter.
Author: Daniel Rhodes
Type: Hardback
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| 9106 - SALT GLAZE CERAMICS |
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One of the fascinating specialities of contemporary ceramics is the use of salt-glaze as explored by ceramic artists around the world. Whether their work is domestic, architectural or sculptural, this centuries-old technique offers them a means of expression that is both satisfying and challenging.
In this book, the work of 60 ceramic artists currently working with salt-glaze is considered, using their own words as well as comments from art critics. The author has combined both their technique and their intention in her examination of these artists, discussing the influences on their work and their motivation for it. While all the artists admit that salt-glaze is a difficult technique, they agree that it holds substantial rewards, enough to keep them experimenting and developing their particular aesthetic to satisfy their own expressive needs. These artists come from all over the world, and are leading exponents of ceramic art in their own countries. It is their use of salt-glaze, with its marvellous textured surface and possibilities for involvement and personal expression, that has brought these artists together in this book.
Author: Janet Mansfield
Type: Hardback
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| 9107 - PAPERCLAY |
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Using fibres with clay is not a new idea but using fibres absorbed within the structure of the clay body is a concept that has recently, and rapidly, taken root among potters. Paperclay is now widely recognized as a material which allows great freedom of expression, relieving the maker of many of the technical problems associated with conventional clays.
With lavish illustrations throughout, Working with Paperclay provides the expertise to inspire potters to discover this exciting material and, for those already smitten, to try new techniques and ideas by drawing on the examples and experiences from different artists.
Author: Anne Lightwood
Type: Hardback
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| 9108 - CRYSTALLINE GLAZES |
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This book examines the history of crystalline glazes and various aspects of their production, describing suitable clays and kilns, glaze recipes, glazing techniques and how to fire in both oxidation and reduction. This second edition has been updated to include information about new crystalline glaze potters and redesigned with colour illustrations.
Author: Diane Creber
Type: Paperback
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| 9109 -SODA GLAZING |
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The technique of soda glazing in ceramics is becoming more popular with potters, because, like salt glazing, it produces an attractive 'orange-peel' texture to the object to be glazed, yet offers a more subtle range of colours while being more environmentally friendly.;The author of this book discusses the history and techniques of soda glazing, giving plans of kilns and detailed notes on how to produce this attractive effect. She compares its similarities to and differences from salt glazing.;As air pollution causes increasing concern, and as governments legislate accordingly, soda glazing is likely to be used as a more welcome alternative to salt glazing.;The work of an international group of ceramic artists is used to illustrate the text.
Author: Ruthanne Tudball
Type: Paperback
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| 9110 - PAPERCLAY |
1st edition out of print
2nd edition due for publication January 2005 (Subject to change)
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Paper clay is easy to use, as it is much stronger and will take much more abuse than normal clay. It is extremely strong in the unfired state which means changes and repairs can be made at almost every stage of the making process.
Paper clay is still a relatively new material in the ceramic world and exciting further developments are still being made. In this new edition there is new artwork in colour, and the expanded text brings the reader up to date on the latest information. A new chapter explores the possibilities of large-scale work.
Author: Rosette Gault
Type: Paperback
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| 9112 - CLAY & GLAZES |
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Clays and Glazes in Studio Ceramics combines an entertaining and absorbing text with a wealth of reference material and a clear examination of what can often be a complex and bewildering subject. Suitable for all levels of ability from beginner to expert.
Covers the formation and types of clay, structure and composition of clay, preparation and mixing and firing before going on to consider the main glaze oxides, the raw material and basic chemistry of glazes, sources of colour, glaze types, glaze mixing and application, firing glazes and glaze problems.
A clear and accessible text and superbly Illustrated with 180 high quality colour photographs. An ideal textbook for ceramics tutors to recommend to students to help develop confidence and independence in their art
Author: David Scott
Type: Hardback
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| 9114 - COLOUR IN CLAY |
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This is the first book of its kind; an exhaustive study of that particular magic the use of colour oxides and stains in the clay body can bring to throwing, pinching, coiling, inlay, lamination, millefiori and sculpture.
Fifty artists from Europe and the USA are profiled, with details of their working methods, firing techniques and sources of inspiration. This ground-breaking book will be an invaluable guide for students who wish to take advantage of the staggering range of colour stains now available for use.
Author: Jane Waller
Type: Hardback
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| 9115 - GLAZES FOR THE CRAFT POTTER |
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A reference book on glaze technology and practice. It discusses not only the calculation of glaze composition and formulae, but also glaze preparation from the initial crushing and grinding of raw materials through the actual making of the glaze. It also includes information on the use of gums and binders, flocculation and the use of suspending agents. The author also talks about application methods as well as how to remedy faults that may occur. A new chapter on health and safety has also been added.
Author: Harry Fraser
Type: Paperback
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| 9116 - CHINESE GLAZES |
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Chinese ceramics and their glazes have delighted and enthralled the world for centuries. In this book, Nigel Wood traces the development of Chinese glazes from the Bronze Age to the present day. He carefully describes how Chinese glazes were made, and how they evolved over some 3000 years of continuous production. He provides analyses and shows how their superb qualities can be reproduced with common Western raw materials. The book is lavishly illustrated with hundreds of colour plates of Chinese potters and Chinese kilns.
Author: Nigel Wood
Type: Hardback
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| 9117 - MACRO-CRYSTALLINE GLAZES |
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Macro-crystalline glazes present one of the most difficult challenges a potter can face. Ever since they first appeared in Europe in the l850s, these spectacular and beautiful glazes have fascinated potters and collectors in many countries. In Macro-Crystalline Glazes. Peter Ilsley reveals his own researches and techniques in great practical detail, and thirteen other potters tell how they have met the challenge of crystals. With informative text and more than 150 colour pictures of crystal pots old and new, Macro-Crystalline Glazes will instruct ane9 excite experienced potters, and provide a valuable reference for collectors.
Author: Peter Ilsley
Type: Hardback
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| 9118 - CELADON BLUES |
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Celadons--some of the most beautiful, subtle, and visually varied glazes--can be re-created with the guidance available in this terrific study from noted chemist and potter Robert Tichane. He shares the results of thousands of tests to help you achieve success with this notoriously fussy glaze. Depending on the variables, celadons can produce a variety of colorations, from sky blue to green to gray, and this book, written in non-technical terms, will help you achieve the effect you desire-from dramatic to understated.
Author: Robert Tichane
Type: Paperback
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| 9119 - ASH GLAZES |
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Potters interested in achieving success with highly variable ash glazes will welcome this definitive reference. The author takes the guesswork out of ash glazes, thanks to his exhaustive research and experimentation. The practical and usable information will benefit both the novice and experienced potter. Nearly 40 ash glaze recipes are included, as well as instructions for making synthetic ash glazes. Sixteen color pages show the beautiful effects of successful ash glazing.
Author: Robert Tichane
Type: Paperback
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| 9120 - COPPER RED GLAZES |
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Author: Robert Tichane
Type: Paperback
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| 9121 - PORCELAIN |
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Porcelain is prized for its delicacy, translucence, and whiteness, but is also the most difficult of clays to work with. This book looks at the history, suggests the clays, making methods and surface treatments most suitable, and recommends firing schedules and recipes that can be used when working with porcelain.
Author: Jack Doherty
Type: Paperback
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| 9122 - GLAZES - CONE 6 |
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Author: Michael Bailey
Type: Paperback
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| 9123 - SALT CERAMICS |
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“This is a book about the skill and technique as well as the art of the salt-glaze potter, whose story continues to be written” Jane Hamlyn
Potters and collectors alike are captivated by the distinctive surface qualities of salt glaze. Its revival amongst studio potters has produced some beautiful and exciting work. In a rich and authoritative text, the author shares her own fascination with salt glaze, bringing together her practical experience and skills.
Lavish illustrations throughout show the textures and colours that characterize old and contemporary salt glaze.
Whether you wish to become involved in salt glaze by making and firing pots, or to gain a wider appreciation with an insight into the process, there is a wealth of information to enjoy within the chapters of this book.
Author: Rosemary Cochrane
Type: Hardback
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| 9124 - SALT GLAZING |
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The distinctive 'orange peel' surface of salt-glazed ceramics ensures that they stand out in any collection. This book covers the history and technical aspects of salt glazing, as well as showcasing the leading salt glaze artists from around the world.
Author: Phil Rogers
Type: Hardback
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| 9125 - THE GLAZE BOOK |
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Packed with information and glaze recipes, The Glaze Book will enable you to reference hundreds of ceramic surfaces.
Each glaze recipe is clearly illustrated so you can see the colour and surface responses it has to offer, and features a description including its firing range, and the uses to which it can be put.
The Glaze Book provides easily accessible help on:
Methods and Techniques • Raw Materials • Glazing Tools and Equipment • Mixing a Glaze • Methods of Application • Glaze Recipes for Earthenware, Stoneware and Porcelain all in one beautifully designed handbook.
Author: Stephen Murfit
Type: Hardback
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| 9126 - POTTER'S GUIDE TO CERAMIC SURFACES |
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This practical directory details a comprehensive range of decoration techniques, from processes at the raw clay stage (including textures, moulds and painting) to underglaze decoration, special glaze firings and alternative firing techniques. Designed for both the novice and the experience potter, this guide will inspire and encourage potters to explore new techniques and combine them in a fresh and creative way.
- A uniquely comprehensive, full colour guide to ceramic surfaces
- Over 60 techniques for enhancing your ceramic pieces using colour, texture and pattern
- Designed for both the novice and the experienced potter
- Techniques are clearly described and laid out with detailed step by step instructions
Author: Jo Connell
Type: Hardback
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| 9127 - CERAMIC GLAZE HANDBOOK |
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Enjoy working with clay more than ever before! Grasp the full potential of glazes with this invaluable book that details the art and science of glazing from its origins and chemical nature to how to achieve brilliant colour, set the right firing temperatures, and avoid faults. With many beautiful examples throughout. Ompletely revised and updated.
Author: Mark Burleson
Type: Paperback
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| 9128 - ASH GLAZES |
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In this new edition of a classic book, Phil Rogers sketches the history of ash glazes, the practicalities of collecting and testing wood ashes, how to make them into glazes and how to use them to glaze pots.
Author: Phil Rogers
Type: Hardback
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| 9129 - STONEWARE |
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'This is an excellent book from an excellent series and at its modest cost deserves a place on potters and collectors book shelves alike. The insights and comments from Richard and the contributions from some of the other top stoneware ceramicists of today are fascinating and may cause many to pause, reflect and (like me) add a little to their own store of knowledge.' www.studiopottery.co.uk
High firing can achieve qualities and finishes that appeal to many potters. However, firing clay at temperatures of about 1300×c imposes demands on the clay, glazes and kilns that do not occur at lower temperatures. This book discusses the various considerations that need to be taken into account when working at these temperatures.
Author: Richard Dewar
Type: Paperback
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| 9131 - ART OF CRYSTALLINE GLAZES |
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Author: Jon Price/LeRoy Price
Type: Paperback
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| 9132 - POTTER'S BOOK OF GLAZE RECIPES |
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Probably the essential classic guide to glazes. A short introduction to glazes with basic instructions on making your own glazes, followed by a comprehensive collection of glaze recipes, giving a range of temperatures and variations on glazes. A very useful reference book for any potter or ceramicist.
Author: Emmanuel Cooper
Type: Hardback
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| 9133 - PORCELAIN & BONE CHINA |
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The beautiful qualities of porcelain and bone china have fascinated patrons, collectors and makers alike for centuries. The two materials are often perceived as one and the same clay, for they both possess qualities of whiteness, strength and translucency. However each material has its own particular characteristics, which merit further exploration and discussion.
Porcelain is a well-documented subject both in traditional and contemporary terms. Bone china has historically been labelled an ‘industrial’ material which has narrowed its appeal. Porcelain and Bone China aims to redress the balance by demonstrating how these clays have played an equally important role within and outside the industrial domain.
Author: Sasha Wardell
Type: Hardback
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| 9134 - ORIENTAL GLAZES |
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This handbook gives in-depth analysis of Oriental glazes which can be notoriously difficult to master. It discusses recipes, chemical make-up, troubleshooting, and examines current artists use of these glazes. It gives minimal history as Chinese Glazes already covers this in depth. This is the basic how-to-do guide on Oriental glazes offering a starting point for beginners and a rich source of recipes and approaches to the established potter.
Author: Michael Bailey
Type: Paperback
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| 9135 - GLAZES FROM NATURAL SOURCES |
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This is a new, revised and updated version of Brian Sutherland's classic book on making glazes from natural sources. It is essentially a practical book that deals with locating your own glaze material and how to construct, test and use the glazes you create. Rock types and likely sources of supply, making test pieces, the use of blend systems and the Seger system are fully discussed. The emphasis is always on careful planning and control which ensures results are repeatable. This makes the science behind making glazes from natural sources both understandable and feasible.
Author: Brian Sutherland
Type: Paperback
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| 9136 - NAKED CLAY |
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A growing number of ceramic artists now choose not to glaze their work. Instead they use an unglazed surface to acheive their design objectives. From slips and terra sigillata to burnishing, engobes, oxide washes and additions to the clay body, there is a wide range of techniques these artists employ to acheive desirable finishes.
Here, Jane Perryman not only presents the finished ceramics and techniques of an international group of artists but also investigates their ideas and areas of inspiration. Each artist presented has a unique style and way of working, but all use ‘naked clay’. A beautifully illustrated book.
Author: Jane Perryman
Type: Hardback
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| 9137 - GUIDE TO HIGH FIRE GLAZES |
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Author John Britt offers a thorugh examination of glaze materials, chemistry, and tools, and presents the basics of mixing, application, and firing procedures. There's a wealth of information on various types of glazes, including copper, iron, shino, salt/soda, cryatalline and more.
Author: John Britt
Type: Paperback
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| 9138 & 9138/PB - DECORATING STONEWARE |
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This book has the characteristics of an autobiography since much of the information is personal to Eric Mellon, who is one of the co-authors. In other ways it has the features of an evaluative and informative appraisal of a craft., that is how to decorate stoneware with narrative drawings.
Author: Eric Mellon & Paul Foster
Type: Hardback & Paperback
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| 9139 - A GLAZE OF COLOR |
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A vibrantly illustrated how to guide for ceramic glaze application, decorating and postfiring techniques. Practical step-by-step application methods provide inspiration for decorating tiles, plates, cups and bowls.
Author: Jane Davies
Type: Paperback
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| 9140 - POTTER'S COMPLETE BOOK OF CLAY & GLAZES |
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A comprehensive recipe guide to preparing, testing and adjusting clays and glazes to eliminate toxic compounds. An impressive array of roughly 1,200 formulas presented in an easy-to-follow format.
Author: James Chappell
Type: Paperback
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| 9141 - COLOURING CLAY |
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This is a handbook on how to introduce colour into clay, and various methods of working with coloured clay. It briefly covers natural colour found in clays and how to use this to best advantage. It thoroughly looks at colouring your own clay through adding stains and oxides, and the various methods of preparing clay and slips, as well as how to blend properly and repeat results consistently. It looks at a range of making techniques using coloured clays (with specific ceramic artists as examples), including coiling and pinching with colours, marbling and agate, using moulds to create neriage or millefiori, textural effects, inlaying, sprigging and slipcasting. Each technique shows how various artists put it to use, with step by step sequences where needed, and displays finished pieces for further inspiration.
Author: Jo Connell
Type: Paperback
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